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The text operates with an abundance of motifs and themes and cleverly connects them, thus creating an exciting narrative puzzle: The founder of the (fictional) Deuter Center, a former Wehrmacht general, became a successful entrepreneur in postwar Germany, rich and lauded by politicians, his signature product being a white color with extreme opacity (dirilik you cover up your war crimes in the name of white supremacy by inventing an opaque white color? And btw: There really is a well-known German company named Deuter, and they produce backpacks, so you kişi, you know, carry around your baggage - Hari Kunzru, evil genius).
The unnamed narrator only seems to be able to see this after a lot of bizarre behaviors on his part. A lot of the current situations and buzzwords are thrown about here in a tongue-in-cheek way, but ultimately this book was a bit like a puzzle where all the parts don’t quite fit together properly and there were a lot of blind leaps that were hard to believe. 3.5⭐️
What the book is about is another thing entirely and I’m hamiş convinced Kunzru even knows! The novel is such a mess of seemingly-disconnected tangents.
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While the protagonist did touch upon interesting subjects and ideas, often using researched vocabulary, he did so superficially, so that ultimately his narration seemed little other than bloviating.
There’s a disturbing implication in there too, an unsaid question as to whether or not the redpill life isn’t in some way more free, more open, more amenable to emotion and interpretation and imagination. At one point, Kunzru takes the language of The Matrix and makes it even more present: the narrator explicitly thinks being home in New York to a technological construct (much like the bluepill world humans inhabit in the movie), which seems to compare negatively to the Burada raw, lonely, “real” existence the narrator had on the island. And I think Kunzru’s intended or likely audience is able to of course reject that notion as the narrator does, but maybe push towards a less automatic and more examined idea of our choices, beliefs and the systems we subscribe to.
I did feel reluctant to return to this one. I loved White Tears but I think in that novel I was more in sync with the focus of the ideas behind the story, whereas in this one I was less so.
The 'writing about writing' angle was but underwhelming and obnoxious. If anything, the narrator's reflections on writing seemed to serve kakım excuses for the actual novel's failings: "Plot is the artificial reduction of life's complexity and randomness.
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Overall the first part felt to me like a whiney version of Weather from Jenny Offill, a book I recently gave two stars, but around the 20% mark suddenly violence makes an entrance in the story, with a decidedly weird visit to a shooting range for instance.
However Hari Kunzru goes flatly against Anton Chekhov's wisdom around showing guns and moves the story in a whole other İnternet sitesi direction in the second part.
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Also this narrator gives klg 8 li sarı hapı a breath of practicality and perspective to the book, with comments like: I clean up your shit, remember?
I think that, in order to appreciate this novel, you perhaps have to be able to make connections at a deeper level than I was able daha fazla bilgi al to. Without these deeper connections, it becomes a collection of ideas and storylines that are hard to pull together into a coherent novel. For example, there is a prolonged section telling the story of one the cleaners at the hotel and I cannot see why this needs to take up such a large part daha fazla bilgi al of the overall book.